news blog

Cambrian Mountains Poetry Competition anthology

On Saturday 2 March the inaugural Cambrian Mountains Society poetry competition prize giving took place at Pontrhydfendigaid. I read my poem 'Day trip to the mountains', which was highly commended. 

Over the past couple of months I have been working on editing a competition anthology for the Society, which includes background to the prize, judges comments and of course the winning, highly commended and longlist poems. Cover illustration by the talented Lowri Bowden. The anthology is pocket size and available to purchase from cambrian-mountains.co.uk.

It was a lovely afternoon, and wonderful to hear poems in English and Welsh, and lively discussion about poetry in Wales. 

 

Cardiff Writers' Circle - Poetry competition adjudication

Cardiff Writers' Circle have asked me to adjudicate and host their 2024 Poetry Competition. Following a 'hint and tips' session for poetry competitions that I ran for members, closing date for entries is 12 February, with an in person prize giving 11 March. 

I'm excited to read the entries, and looking forward to a fun evening in March. This prize is possible due to the support of Literature Wales.

Voices on the Bridge Poetry night

A joyous evening last night at Clwb Y Bont in Pontypridd - a mixture of poetry and music, and a few local ciders - including an impromptu collaboration between Ben on guitar, and Pete on his harmonica.  

Thanks to Sion Tomos Owen, Mike Jenkins, Pete Akinwunmi, Nick McGaughey, Mary Kaye, Ben Wildsmith & Rob Cullen who also performed, and Rob who hosted 'Voices on the Bridge'. I did a 15 minutes set including a couple of new poems about everyday objects, the poem 'Returning' which was illustrated for the 'Walking Home' anthology, and of course a couple of losing Dad poems.  

Thanks to Susie for the photos.

Murenger Poetry Night headliner

In a couple of weeks time, on Wednesday 14 June, starting at 7.30pm I will be headlining at the regular Murenger Poetry Night, in Newport. Hosted in a 19th Century pub, my 2x 20 minute sets will be followed by Open Mic sessions - sign ups available on the night. Its always a relaxed, friendly, poetry filled night. Thanks to Alan Roderick for the invite.

Image
Marcelle reading poetry

Walking: An Anthology of Writing

My poem ‘Returning’ will appear in Walk.Listen.Create’s poetry and prose anthology published in April, available here.  The accompanying illustrations by Alban Low are so beautiful, I was quite emotional when I saw his interpretation of my poem (about my son) on the page – reverse ekphrastic!

I'm delighted to be reading at an online event hosted by the Museum of Walking, celebrating the publication, on Sunday 24th September. The Sound Walk Stories Sunday: 'Write About Walking' showcase will be hosted by poet and broadcaster, Jake Morris-Campbell.    

More details on the events page, tickets available here.

 

Walking: An Anthology of Writing

My poem ‘Returning’ will appear in Walk.Listen.Create’s poetry and prose anthology published in April, available here.  The accompanying illustrations by Alban Low are so beautiful, I was quite emotional when I saw his interpretation of my poem (about my son) on the page – reverse ekphrastic!

I'm delighted to be reading at an online event hosted by the Museum of Walking, celebrating the publication, on Sunday 24th September. The Sound Walk Stories Sunday: 'Write About Walking' showcase will be hosted by poet and broadcaster, Jake Morris-Campbell.    

More details on the events page, tickets available here.

 

Black Bough Poetry, featured writer

I am the writer of the month, and have a feature page, as part of the wonderful Black Bough Poetry, Silver Branch series. I feel honoured to be part of this selection of poets, from this generous Welsh press, run by the multitalented Matthew MC Smith.

Four new poems, and four poems previously published by Black Bough (in their Deep Time and Christmas/Winter anthologies) are included as well as a short CNF piece.  All pieces are available on soundcloud.

My work will be tweeted and posted throughout the month, on Black Bough’s socials.

shortlisted Walking Home writing competition

Walk.Listen.Create has announced their 12 piece shortlist for their ‘Walking Home’ writing competition, which I’m very pleased my poem ‘Returning’ has made.

Shortlisted pieces will be showcased during Sound Walk September 2022, on 25th Sept. at a public online event in which the shortlisted authors and poets will be invited to read their work. The judges will be asked to choose their winner and runner up in both the poetry and prose categories, for which the winners will be invited to be a walk · listen · create on-line Poet- or Writer-in-residence for 2022/3.

All very exciting! My poem can be found here.

shortlisted Walking Home writing competition

Walk.Listen.Create has announced their 12 piece shortlist for their ‘Walking Home’ writing competition, which I’m very pleased my poem ‘Returning’ has made.

Shortlisted pieces will be showcased during Sound Walk September 2022, on 25th Sept. at a public online event in which the shortlisted authors and poets will be invited to read their work. The judges will be asked to choose their winner and runner up in both the poetry and prose categories, for which the winners will be invited to be a walk · listen · create on-line Poet- or Writer-in-residence for 2022/3.

All very exciting! My poem can be found here.

Fevers of the Mind ‘Quick 9’ Interview

Delighted to be asked for a ‘Quick 9’ interview with Fevers of the Mind. A great opportunity to mention so many generous people, and thank them for their continuing encouragement and involvement.

Q1: When did you start writing and first influences?

Marcelle: I started recording the everyday, usually on my iphone, during maternity leave with my son. It was such an overwhelming time- the extreme sleep deprivation, as well as being new to parenting. I used the page (screen) as someone to share with. Looking back at those notes now the range of emotions is astonishing – some have turned into poems, some not.

In 2018 I attended poetry evening classes run by the generous Mab Jones, she was the one that really got me ‘started’, she is so passionate and enthusiastic. That lead to a weekly group run by Claire Syder, which I still attend now and wouldn’t be without.

Q2: Who are your biggest influences today?

Marcelle: I still attend lots of workshops (online in these covid times), which I find really inspiring – learning about different approaches to writing, the different personalities. I have recently had the pleasure of reconnecting with the fabulous Elizabeth Horan and am now inseparable from the prose poem.

I live in South Wales and am surrounded by wonderful landscape and lyrical welsh poets – historic and living. These are a constant influence – to infuse the local into the universal.

Q3: Any pivotal moment when you knew you wanted to be a writer/artist?

Marcelle: Reading Tony Hoagland’s work, it is so affecting, I knew I wanted to learn to be able to connect like that. I adore the way he expresses the magicness of the everyday.

Q4: Who has helped you most with writing?

Marcelle: I regularly attend a workshopping group with Rhian EdwardsTracey RhysEmily CotterillSusie Wildsmith and Emily Blewitt, who are all fantastic writers and thoughtful readers. The wonderful Christina Thatcher has been my mentor for almost 2 years now and her steady influence and insight I greatly value.

It is a privilege to be able to read hundreds of poetry submissions in my position as poetry editor for Nightingale and Sparrow, this has really informed my own writing persuasions. In 2020 I worked on a Pandemic Poetry anthology – the submissions were astounding in their breadth and intensity, it was a honour to read for. Editing has definitely helped my ability to objectively assess my own writing.

The twitter poetry community is always generous, I particularly enjoy the inclusive home that Matthew Smith has created around his Black Bough Poetry micro-poem world.

Q5: Where did you grow up and how did that influence your writing/art? Have any travels away from home influence your work?

Marcelle: I grew up and went to school in Cardiff, capital of Wales, before moving on graduation, via London, to Portsmouth on the south coast of England. I have been very lucky always living close to the sea and hills. My parents love the sea and we would often daytrip to visit, in all its different forms, in all types of weather.
I trained as an Architect and have been lucky enough to travel to Australia & New Zealand, North America & Canada, and Western Europe. I love well laid out European urban spaces and can recall routes and places easily, which I often dream about walking through, and they end up on the page.

Q6: What do you consider the most meaningful work you’ve done creatively so far to you?

Marcelle: I enjoy writing about the everyday, highlighting the precious normal, which can easily be overlooked with our hectic lives.

Q7: Favorite activities to relax?

Marcelle: I love making dresses for my young daughter from found materials (scarves from charity shops, my dad’s old shirts), wind bathing! and reading with continuous cups of tea.

Q8: What is a favorite line/stanza from a poem/writing of yours or others?

Marcelle: From ‘Weeping willow’ my poem published in Indigo Dreams’ ‘Dear Dylan, an anthology after Dylan Thomas’:

She knew: memory as a trick, there’s only now.
So they bathe, drink, exert, worship – keep not
to themselves and believe in divine cultivation.

Q9: Any recent or forthcoming projects that you’d like to promote?

Marcelle: Not really! Watch this space, first pamphlet coming soon (hopefully)!

Fevers of the Mind ‘Quick 9’ Interview

Delighted to be asked for a ‘Quick 9’ interview with Fevers of the Mind. A great opportunity to mention so many generous people, and thank them for their continuing encouragement and involvement.

Q1: When did you start writing and first influences?

Marcelle: I started recording the everyday, usually on my iphone, during maternity leave with my son. It was such an overwhelming time- the extreme sleep deprivation, as well as being new to parenting. I used the page (screen) as someone to share with. Looking back at those notes now the range of emotions is astonishing – some have turned into poems, some not.

In 2018 I attended poetry evening classes run by the generous Mab Jones, she was the one that really got me ‘started’, she is so passionate and enthusiastic. That lead to a weekly group run by Claire Syder, which I still attend now and wouldn’t be without.

Q2: Who are your biggest influences today?

Marcelle: I still attend lots of workshops (online in these covid times), which I find really inspiring – learning about different approaches to writing, the different personalities. I have recently had the pleasure of reconnecting with the fabulous Elizabeth Horan and am now inseparable from the prose poem.

I live in South Wales and am surrounded by wonderful landscape and lyrical welsh poets – historic and living. These are a constant influence – to infuse the local into the universal.

Q3: Any pivotal moment when you knew you wanted to be a writer/artist?

Marcelle: Reading Tony Hoagland’s work, it is so affecting, I knew I wanted to learn to be able to connect like that. I adore the way he expresses the magicness of the everyday.

Q4: Who has helped you most with writing?

Marcelle: I regularly attend a workshopping group with Rhian EdwardsTracey RhysEmily CotterillSusie Wildsmith and Emily Blewitt, who are all fantastic writers and thoughtful readers. The wonderful Christina Thatcher has been my mentor for almost 2 years now and her steady influence and insight I greatly value.

It is a privilege to be able to read hundreds of poetry submissions in my position as poetry editor for Nightingale and Sparrow, this has really informed my own writing persuasions. In 2020 I worked on a Pandemic Poetry anthology – the submissions were astounding in their breadth and intensity, it was a honour to read for. Editing has definitely helped my ability to objectively assess my own writing.

The twitter poetry community is always generous, I particularly enjoy the inclusive home that Matthew Smith has created around his Black Bough Poetry micro-poem world.

Q5: Where did you grow up and how did that influence your writing/art? Have any travels away from home influence your work?

Marcelle: I grew up and went to school in Cardiff, capital of Wales, before moving on graduation, via London, to Portsmouth on the south coast of England. I have been very lucky always living close to the sea and hills. My parents love the sea and we would often daytrip to visit, in all its different forms, in all types of weather.
I trained as an Architect and have been lucky enough to travel to Australia & New Zealand, North America & Canada, and Western Europe. I love well laid out European urban spaces and can recall routes and places easily, which I often dream about walking through, and they end up on the page.

Q6: What do you consider the most meaningful work you’ve done creatively so far to you?

Marcelle: I enjoy writing about the everyday, highlighting the precious normal, which can easily be overlooked with our hectic lives.

Q7: Favorite activities to relax?

Marcelle: I love making dresses for my young daughter from found materials (scarves from charity shops, my dad’s old shirts), wind bathing! and reading with continuous cups of tea.

Q8: What is a favorite line/stanza from a poem/writing of yours or others?

Marcelle: From ‘Weeping willow’ my poem published in Indigo Dreams’ ‘Dear Dylan, an anthology after Dylan Thomas’:

She knew: memory as a trick, there’s only now.
So they bathe, drink, exert, worship – keep not
to themselves and believe in divine cultivation.

Q9: Any recent or forthcoming projects that you’d like to promote?

Marcelle: Not really! Watch this space, first pamphlet coming soon (hopefully)!

Eat The Storms Poetry Podcast guest

The wonderful Damien B. Donnelly has invited me onto his Eat The Storms Poetry Podcast (named after his poetry collection) to read a couple of my recent poems. The recording is complete and I’m just waiting to hear the broadcast date. Very excited!

The Poetry Podcast can be accessed through Spotify and most streaming platforms and via the twitter page. This is the 3rd season and all back episodes are available, they really are worth a listen, he has had some great guests and of course, you can hear his own poems too.

Pushcart Nomination

Absolutely delighted with a New Year’s Eve gift, of nomination for a Pushcart Prize, by the industrious Matthew Smith of Black Bough Poetry. A very lovely surprise indeed. 

Black Bough Poetry have produced some exquisite publications this year including 2 ‘Deep Time’ anthologies inspired by Robert Macfarlane’s Underland writings and a delicious ‘Winter Edition’ of micropoems. All volumes have included beautiful artwork by Welsh artists, Deep Time is also accompanied by original musical compositions.  All available on Soundcloud, and purchable via Amazon and Black Bough website. Matthew really has been a tour-de-force for Welsh, and global, creativity this year. I am very grateful to be within his sphere. 

ARCADE POET COMPETITON – winner announced

And it’s me!

Back in March Cardiff City of Arcades launched a poetry competition, with the brief ‘a celebration of Cardiff’. The winning poem is displayed in one of the 7 historic Cardiff shopping arcades, alongside 6 commissioned Welsh poets. My poem is now up, in Morgan Arcade, and I’m so delighted it is alongside the lovely Mab Jones’ poem ‘Summer city’. Having grown up, and now living back in Cardiff it is a very special competition to win.  Happy days.

Wales Arts Review Digithon

Wales Arts Review Digithon Festival was a 3 day digital arts festival in late March, to raise emergency funds for artists and freelancers who have had their income impacted by Covid-19. The festival included literature, cinema, dance, gigs and art all experienced from the comfort of home.

I was delighted to be asked by the lovely Mab Jones, to record my poem ‘Arcade Hopping’, that I submitted for the Poetry in the Arcades competition (winner yet to be announced), to be broadcast as part of the event. Poetry in the Arcades is a project to produce new poetry works that celebrate the city of Cardiff which are now being displayed publicly in Cardiff’s iconic Victorian arcades, including Castle Arcade, High Street Arcade, Duke Street Arcade, Royal Arcade, Morgan Arcade and Dominions Arcade.

Readers were a selection of Arcade Poets plus a few Poetry in the Arcades competition entrants.  In order, they were:  Emily Cotterill (funder of Poetry in the Arcades, honorary Arcade Poet!), Angela Graham (competition entrant), Thomas Tyrrell (competition entrant) , Marcelle Newbold (competition entrant), Mab Jones (Arcade Poet) who helped coordinate Poetry in the Arcades , Siân Melangell Dafydd (Arcade Poet), Sarah McCreadie (competition entrant).

The recording can be seen and listened to here:

Design Commission for Wales essay

essay publication online and print

Landmarks is the Design Commission for Wales’ autumn 2015 conference, events and exhibition which explore the relationship between the natural resources of the Welsh landscape and human intervention, with the aim of informing and inspiring a future for design in the rural landscape. This publication serves as a lasting reference to the themes and thoughts which have been uncovered through Landmarks.  My essay ‘How we made our way‘ starts on p104.

Design Circle (RSAW) article

online article

As part of the ‘My kind of…’ series, published on the Design Circle (Royal Society of Architects in Wales branch) website.

‘My kind of home is within a community, built for sharing and collective enjoyment; with immediate neighbours to talk to, safe roads for play, allotments to grow produce and room enough for dinner with extended family and friends.

My kind of home is a home of conscience; economic, using little energy, treading softly, lightly and healthily. It is a home of resource; providing energy to the grid, vegetables for dinner and flowers for the table.

My kind of home provides shelter; security of familiarity, privacy for reflection, a nook for a favourite book, protection from extremes of weather and environs for nature to use.

My kind of home enables involvement; the overheard sound of a lawnmower, a friendly hello of passing dog walker, a spontaneous football match, a quiet place to watch the world go by.

My kind of home affords space for breathing; just sitting and enjoying, a distant view to drink in, an opportunity to linger a while on a bench in the street, a tree to climb and green space to explore.

And my kind of home is a home for life; adaptable and evolving overtime to meet life’s changing needs.’